Skip to main content
GullySystem
Media · Software for film production houses

Follow a shoot from script breakdown and call sheet to the daily report and the budget.

Film production houses hold script breakdowns, schedules, cast and crew bookings, equipment and the budget in separate files. The software ties each scene to its shooting day, crew, kit, location and cost, and compares spend with budget as the shoot runs.

At a glance

A production house makes a film, series, advert or branded video one project at a time, and each project means hiring a crew, renting kit and booking locations. Each project is a temporary organisation. Cameras roll across a fixed block of shooting days. After that the finished material goes to a buyer, a broadcaster or a streaming platform, each with its own delivery specification.

The paperwork behind this is heavy and scattered. Script breakdowns, the shooting schedule, call sheets, releases and the cost report are usually kept in different files by different people, and the files drift apart once the shoot begins.

How the work runs today

Before the shoot, the line producer breaks the script into scenes and lists cast, props, locations and kit for each. The first assistant director builds the shooting schedule from that list, while casting and crew are booked with day rates and agreed terms. Every location needs a permit and release.

On a shooting day the second assistant director issues a call sheet with unit call times, scene order, cast pickups and weather. The script supervisor logs every take. Continuity notes, slate numbers and timecodes go onto paper or a tablet, and at wrap the office writes a daily report of scenes shot, pages, overtime and incidents.

Purchases and petty cash run all through the shoot, and the production accountant compares them with the budget each week. After wrap, picture and sound move through edit, grade and mix, and deliverables are checked against what the buyer or platform asked for.

Where it breaks

What goes wrong for film production houses without a proper system.

The schedule and the breakdown drift apart

A scene moves to a different day and the props, cast and location sheets are not updated. The wrong items arrive on set.

Call sheets are rebuilt every night

Each call sheet is typed from the schedule, the cast list and the weather note. A late change reaches only the people who were phoned.

Costs surface after they are incurred

Kit hire, overtime and petty cash reach the cost report days late, so the producer learns of an overspend after it is spent.

Releases and permits are missing at wrap

A location permit, a minor’s work licence or an actor’s release sits in someone’s email. The gap is found when the buyer asks for the clearance file.

Footage and deliverables are not traced

Camera cards, edit versions and final masters sit on drives with names only the editor knows. Delivery against the buyer’s list is checked by hand.

What the software does

What we would build for film production houses.

Named the way your team already talks about the work. We start with whichever part the audit shows is costing you most.

Script breakdown and scene list

Split the script into scenes, each with its cast, props, wardrobe, locations and kit, so every department reads from one list.

Shooting schedule and call sheets

Order scenes into shooting days, then produce the call sheet with unit call, pickups and contacts, and send it to everyone listed.

Cast, crew and booking terms

Hold each person’s role, day rate, deal terms, start and wrap dates, and the contract that goes with them.

Equipment, locations and releases

Track camera, lighting and grip hire, location permits, and the releases and clearances each scene needs before it can be shot.

Daily production report

Record scenes and pages shot, take counts, overtime, delays and incidents at wrap, and compare them with the plan.

Budget against actuals

Enter purchase orders, petty cash and crew payments against each budget line, and read the cost to date and the cost to finish.

Post-production and deliverables

Follow footage from camera card to edit, grade and mix, and tick off each deliverable against the buyer’s technical list.

Before you talk to a supplier

A requirements checklist for film production houses.

What to cover, which reports to ask for and what to put to every vendor, ready to print or save as a PDF.

Open the checklist
Ready product

A product already built for film production houses.

It is adapted to how your business works before it goes live, and anything your trade needs that it lacks is added then.

Film Production House Management Software

Script breakdown, shooting schedule and call sheets, cast and crew bookings, equipment and locations, daily reports, budget against actuals and deliverables for film production houses.

See the product
Solutions inside

The business modules film production houses use most.

Each one is also available on its own, or inside a system built for you.

How it works

How the work runs from Bengaluru for your city.

  1. 1

    The audit, by call

    A screen-share and a look at the sheets, accounting reports and WhatsApp groups your team uses. No travel needed.

  2. 2

    A written proposal

    Scope, what we build first and the cost, agreed in writing before anything starts.

  3. 3

    Build in short rounds

    Working screens shared every few weeks. Your team tests them from your own office.

  4. 4

    Go-live, in person when it helps

    For data migration and training we can come to your city. Travel is agreed in advance.

  5. 5

    Support online

    Fixes, changes and hosting handled remotely by the same team that built it.

Common questions

Questions film production houses ask before they call.

Can we run several productions at once?

Yes. Each production has its own breakdown, schedule, crew and budget, while a producer can read all of them together and shared kit shows where it is booked.

Does it do scheduling like a dedicated scheduling program?

It orders scenes into shooting days and builds call sheets from them, and if your assistant directors prefer a specialist scheduling tool, its schedule can be imported.

Can it replace our budgeting spreadsheet?

Yes, for tracking. Budget lines, purchase orders and actual cost sit together. Your own chart of accounts and any financier’s reporting format are set up with your production accountant.

Does it handle payroll and union rules?

No. It records days worked, overtime and agreed rates and exports them, but payroll, tax and any guild or union rules stay with your payroll provider.

What happens after I share my requirements?

An engineer reads what you send and replies within one business day. We then look at the software, spreadsheets and WhatsApp groups your business runs on today and write down what works, what slows your team down and what is missing. A demo login, a screen-share or a few screenshots are enough. You get a short written summary ordered by priority, with no obligation to hire us afterwards.

How much will the software cost?

We don’t publish a price, because it depends on what the system has to do. That first review settles the scope, and the cost goes into a written proposal before any work starts.

Category

Part of a wider group.

Talk to us

Tell us how your business runs today.

A few lines on your spreadsheets, software and WhatsApp groups is enough. We reply the same working day.

  • No obligation
  • A reply within one business day
  • Your details stay private

Start with your requirements

Seven short steps that tell us what you need. An engineer reads them before getting in touch.

Share your requirements